I’ve been on a British mystery kick. After watching way too many episodes of “Midsomer Murders” I decided to go with a classic. Agatha Christie, the best-selling mystery writer of all time, meets Billy Wilder, writer-director extraordinaire in the script of “Witness for the Prosecution” (1957).
The film is a riveting court drama the tops any seen today. Christie’s tale leads you to question your own suspicions and plays wonderfully with Wilder’s quirky sense of humor seamlessly inserted into the dialogue. Additionally, Wilder’s decision to minimize music puts greater emphasis on the inflection on words spoken and stretches of silence.
Marlene Dietrich is accused murderer Tyrone Power’s wife whom he brought to England after WWII. The complications of their relationship are nearly the opposite of those she played in “The Blue Angel,” but carry as much intrigue. Charles Laughton as Banister Wilfrid is both a comic curmudgeon and brilliant analytical mind. His performance was the reason I had a repeat watch immediately.
While there is a sequence where you find yourself doing a face-palm with Dietrich, it’s not too hard to forgive and carry on. The end of the film requests that I “not divulge the end,” so all I can say is that as I sat watching this film, exclaimed to my hamster, “CharlesLaughton is Amazing!”
If you’re a Billy Wilder fan, check out my reviews of “The Seven Year Itch” and “Double Indemnity.”
I find Marlene Dietrich to be a fascinating personality. Her American films usually find her cast as a sexual creature verging on vamp, playing men to get what she can off them. Dietrich’s roles in later films have her as more of a sympathetic villianness, where the audience sees her in greater shades of grey. I though it might be interesting to go back and watch the film that really introduced her to US audiences, “The Blue Angel.”
“The Blue Angel” (1930) exists in two versions: the original German language release and an English language version featuring the same cast. The English version was thought to be lost for many years until a print was found mislabeled in a German archive. I’m reviewing the German version because of its availability and i find the performances to be a little better.
Josef von Sternberg‘s film has Dietrich as a restaurant cabaret singer who’s tough personality and sleepy eyes softens the heart of prudish professor Emil Jannings, leading to his self destruction. Sternberg frames shots to include objects, actions, or shadows that offer their own story or character foreshadowing. You can tell where he learned his craft, as hints of silent German Expressionism add to the drama. Jannings was one of the biggest stars of German silent cinema, known around the world for his dramatic leading characters. In “The Blue Angel” you can literally see his character’s hard icy manner melt as he falls in love with Dietrich.
There is so much history surrounding this film that it fills entire books. I’ll just say that the relations between characters and social commentary that can be drawn from it make and endlessly interesting and entertaining movie.
I had a modeling job the other day and thought it might be interesting to write down all of the preparations before I go to a call or a gig.
I always carry a gig bag with me. This contains a collection of things that I might need for a casting or a job, and might vary slightly depending on what I’m told is needed. Always constant are:
- toothbrush and toothpaste
- hairbrush and hair ties
- panties and bras in nude and black
- high heels in black and nude
- soap and deodorant
- selection of jewelery
- book to read and/or ipod with charged battery
Some of this is pretty self-explanatory. Shoes and underwear in two colors should provide options for whatever wardrobe is provided. Make up and hair supplies are for those occasions when I might be asked to provide my look. A book and music is always a necessity. There is a lot of “hurry up and wait” at any gig, and its invaluable to be able to keep yourself entertained.
Perhaps most important is my portfolio. This is my visual resume, showing samples of my previous work and my versatility. In here are also composition cards with my best selection of photos and information to leave with a client as reference for future jobs. I would never go without it.